207. “The Alphabet, for Naima” – Roger Reeves

A is for almost, arriving, my father’s death.

B is for bear, which he does and does not do.

C is for care and critics and leaving them to their caskets.

D is for damn, which your father does not give but must.

E, for empire—a thing to impale, kill, break 

Breach. F is for farther along we’ll understand why

Fire greets us at every door and we’ve lost our way 

In the sky. Now where, where should we turn?

G is for good, the shy speechless sound of fruit

Falling from its tree. Me, you, there in the woods

Watching the pines shatter shadow in the light

Wind. H is for horses in the high cotton,

The crack in their hooves carrying your grandfather

And your grandfather’s grandfather down the hill

Until two stomps on the barn floor orphans them

Again, dust, dust. I is for in, as in in the blood we bear

All sorts of madness but bear, bear we must.

J is for jaundiced, which you never were.

K is for keep. Keep your wilderness wild, your caves neat.

L is lift and lymph, the node they cut

From beneath your grandfather’s arm.

M is for misery, which turns and breaks in

Though I wish it would not. Leaf

Leaning on a pond. Blood on a sock.

N is for nature and nearly and how I’ve come

To love; nearly, nearly I come to you, my falcon

Hood pulled tight; my talons tucked; Lord,

Let me not touch. O is for out and the owl

You say sits on your nose. P is for please

As in “Please, son, don’t visit me”

And yet I visited and did not please, and he would not

Touch your leaf, afraid his rot would

Make the petals fall. A lovely love—

No, not at all. Q is for quince, its yellow-breasted

Bell knocking against my father’s deathbed

Window, the light, the light too on his dying

Bed, what you opened your mouth to and tried

To swallow. R is for road where we lay,

Sometimes, because we wish not to exist

And wish and wish and wish. And must.

S is for…

From Best Barbarian (Norton, 2022). Shared with permission of the author.

Prompt:

An abecedarian is a poetic form where the first letter of each line or stanza follows sequentially through the alphabet. In “The Alphabet, for Naima,” Reeves invokes this form to explore loss and legacy and to bridge time and space and generations.

After reading the poem, reflect on a pivotal moment—maybe loss, maybe new life—and use the abecedarian form to share that memory with a loved one. Allow the letters of the alphabet to take you where they will, to gather the varied strains of human experience into one resonant song.

Alex Gaertner